Sofia Gubaidulina, In Erwartung (1994)

In Erwartung (1994), Sofia Gubaidulina

The primary governing thought of In Erwartung is movement - searching for meeting points and creating a dialogue between the groups of sound in the piece. Consideration was also given to the way the music moves in physical space, bringing the musicians closer together in musical terms as the work progresses. A spiritual dimension is evidenced by the Dies Irae sequence quoted from the Requiem Mass. (Sofia Gubaidulina)

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