In Erwartung (1994), Sofia Gubaidulina

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In Erwartung (1994), Sofia Gubaidulina
Year of Composition: 1994    
for saxophone quartet and six percussionists

Composer Biography

1931 —

Gubaidulina, Sofia was born in Chistopol in the Tatar Republic of the Soviet Union in 1931. After instruction in piano and composition at the Kazan Conservatory, she studied composition with Nikolai Peiko at the Moscow Conservatory, pursuing graduate studies there under Vissarion Shebalin. Until 1992, she lived in Moscow. Since then, she has made her primary residence in Germany, outside Hamburg.
Gubaidulina's compositional interests have been stimulated by the tactile exploration and improvisation with rare Russian, Caucasian, and Asian folk and ritual instruments collected by the "Astreia" ensemble, of which she was a co-founder, by the rapid absorption and personalization of contemporary Western musical techniques (a characteristic, too, of other Soviet composers of the post-Stalin generation including Edison Denisov and Alfred Schnittke), and by a deep-rooted belief in the mystical properties of music.
Her uncompromising dedication to a singular vision did not endear her to the Soviet musical establishment, but her music was championed in Russia by a number of devoted performers including Vladimir Tonkha, Friedrich Lips, Mark Pekarsky, and Valery Popov. The determined advocacy of Gidon Kremer, dedicatee of Gubaidulina's masterly violin concerto, Offertorium, helped bring the composer to international attention in the early 1980s. Gubaidulina is the author of symphonic and choral works, two cello concerti, a viola concerto, four string quartets, a string trio, works for percussion ensemble, and many works for nonstandard instruments and distinctive combinations of instruments. Her scores frequently explore unconventional techniques of sound production.
Since 1985, when she was first allowed to travel to the West, Gubaidulina's stature in the world of contemporary music has skyrocketed. She has been the recipient of prestigious commissions from the Berlin, Helsinki, and Holland Festivals, the Library of Congress, the Chicago Symphony Orchestra, the New York Philharmonic, and many other organizations and ensembles. Among her forthcoming works is a Passion according to St. John commissioned by the Internationale Bachakademie Stuttgart.
Gubaidulina made her first visit to North America in 1987 as a guest of Louisville's "Sound Celebration." She has returned many times since as a featured composer of festivals Boston's "Making Music Together" (1988), Vancouver's "New Music" (1991), Tanglewood (1997) and for other performance milestones. From the retrospective concert by Continuum (New York, 1989) to the world premieres of commissioned works Pro et Contra by the Louisville Orchestra (1989), String Quartet No. 4 by the Kronos Quartet (New York, 1994), Dancer on a Tightrope by Robert Mann and Ursula Oppens (Washington, DC, 1994), and the Viola Concerto by Yuri Bashmet with the Chicago Symphony conducted by Kent Nagano (1997) the accolades of American critics have been ecstatic. She returns once more in April 1999 for the world premiere of her most recent work, Two Paths ("A Dedication to Mary and Martha") for two solo violas and orchestra, by the New York Philharmonic conducted by Kurt Masur. Simultaneously, Japan's NHK Symphony Orchestra, with soloist Kazue Sawai under the baton of Charles Dutoit, will tour the U.S. with the American premiere of another recent work, In the Shadow of the Tree, for koto, bass koto, zheng and orchestra.
Gubaidulina is a member of the Akademie der Künste in Berlin and the Freie Akademie der Künste in Hamburg. She has been the recipient of the Prix de Monaco (1987), the Premio Franco Abbiato (1991), the Heidelberger Künstlerinnenpreis (1991), the Russian State Prize (1992), and the SpohrPreis (1995). Her most recent awards include the prestigious Praemium Imperiale in Japan (1998) and the Sonning Prize in Denmark (1999).
Her music is now represented on compact disc generously; Gubaidulina has been honored twice with the coveted Koussevitzky International Recording Award. Major releases have appeared on the DG, Chandos, Philips, Sony Classical, BIS, and Berlin Classics labels.
Gubaidulina's music is published in North America by G. Schirmer, Inc.

Composition Notes

The primary governing thought of In Erwartung is movement - searching for meeting points and creating a dialogue between the groups of sound in the piece. Consideration was also given to the way the music moves in physical space, bringing the musicians closer together in musical terms as the work progresses. A spiritual dimension is evidenced by the Dies Irae sequence quoted from the Requiem Mass. (Sofia Gubaidulina)